Studied at Camberwell School of Art
Tutors included: Frank Auerbach, Richard Lee, Henry Inlander, Michael
Rothenstein, Frank Martin, Bernard Dunstan, Peter Weaver, Christopher Chamberlain
Elected to the Royal Society of British Artists, 2001
Work selected for the "Laing Landscape, Seascape" exhibition and reproduced in the 2002 calendar
Member of the London Sketch Club and the Savage Club
Visiting lecturer at Kent Institute of Art and Design
Has exhibited at: The Folio Society, The South London Gallery, The Questors Theatre London, The Everyman London, The Mercury Gallery London & Edinburgh, Rowland Browse & Delbanco London, Graffiti Gallery London, The Sutton College of Liberal Arts, The Weller Gallery Rochester, The Peter Hedley Gallery Wareham, The Drew Gallery Canterbury, The Fry Art Gallery Saffron Walden, Tenterden House Gallery, The Day Book, Lloyd's of London "Open View", The Royal Institute of Oil Painters, The Royal Society of British Artists, The New English Art Club, The Royal Academy of Arts, "The Exhibition in the Park" Gillingham, "Shore Line" for K.I.A.D., University of Kent at Canterbury, "Inside Outside" The Royal College of Pathologists London, "Open Studio" Mick Jagger Centre Dartford, K.I.A.D. Gallery Maidstone, The Festival Gallery Whitstable, Laing "Landscape & Seascape" London, The Neville Pundole Gallery Canterbury.
Exhibits in the South East Open Studios each summer.
Exhibited with Elizabeth Blackadder RA, John Houston RA, David Michie, Carel Weight RA, Stan Smith, Gus Cummings RA, Mick Rooney RA, Fred Cuming RA, Michael Rothenstein RA.
Works are in public and private collections in the UK, and private collections in the USA, Australia, Germany and France.
Worked for EMI, Rolls Royce, IBM and ICL amongst others.
"The older I get the more visually curious I become about the spaces I inhabit, from the house and studio in which I live and work to the garden I enjoy and the tools I use daily; they can all weave their way into a painting.
Similarly, images of journeys made, memories of entering a dark room and particularly the effect of light, the poetry of a place and........the way nothing is quite what it first seems."
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